There is the city, the formation and record of daily life. Then there is the heart. And then there is the soul. How does that cosmology precisely relate to two Feminines, the Secret Inner and Outer Exterior? What might the authentic expression of her inner path sound like? It must be one, not of yearning here for the husband (the outer poetry of the woman) — it cannot be that because here she is already possessed by the father. So, rather, the Inner Feminine sound must be one in relation to the her secrecy transmitting now “downward” (as a tree transmits) into the city (and, simultaneously, situated and wandering in her incarnation, poetically, through its streets because she is still part of the Kingdom).
Where did all those yesterdays go?